THINGS I LIKE TOO DO
a blog dedicated to music
Monday, May 28, 2012
JIMMY GIUFFRE
mr. giuffre took a hard left turn as the 1960s opened making him almost unrecognizable to his original fans (he was part of woody herman's thundering herd and has a single enshrined in the grammy hall of fame), exploring european classical structures and sound in general, much like cecil taylor, ornette coleman, and, later, john coltrane. on this record, we hear the experiment in its fullest expression: tension building silences, two and three note conversations in the trio format, angular rhythms and spiky tonalities. each piece unfolds with each note played, drawing the listener in, but it requires attention. this is not background music, this must be LISTENED to for it make its impact. mr. bley continues to reval his avant-cool expression of the '50s and '60s and the real treasure here is steve swallow-- an early example of his bass meisterwork. this is an enjoyable free jazz work with highlights being the clarinet solo pieces (ornothoids, divided man, man alone) and the long piece 'five ways'which really lets us hear the trio at work. a fascinating gem from the early free jazz period.
https://rapidshare.com/files/1844765680/Free_Fall.rar
https://rapidshare.com/files/1844765680/Free_Fall.rar
KENNY BURRELL JIM RANEY
For this 1957 studio session (which has been reissued on CD through the Original Jazz Classics imprint), the two distinctive but complementary guitarists Kenny Burrell and Jimmy Raney are teamed together in a septet with trumpeter Donald Byrd, altoist Jackie McLean, pianist Mal Waldron, bassist Doug Watkins, and drummer Art Taylor. The full group gets to stretch out on one original each by Watkins and McLean ("Little Melonae") and three from Waldron, while the two standards ("Close Your Eyes" and "Out of Nowhere") are individual features for Burrell and Raney. This is a well-rounded set that may not contain any real surprises, but will be enjoyed by collectors of hard bop. https://rapidshare.com/files/710365699/Two_Guitars.rar
Tuesday, May 15, 2012
ARCHIE SHEPP NIELS PEDERSON
Stop and take a closer look at this album! This is one of the obscure gems of jazz. Featuring songs associated with Charlie Parker, Archie Shepp on saxophone and Niels-Henning Orsted Pederson on bass explore the legacy of the great bebop master. The instrumentation may seem odd and you may pass on this because it's just saxophone and bass. Instead without drums or piano, the songs have a spaciousness not usually found in the complex harmonies and elaborate melodies of bebop. If you know Archie Shepp, you know that he is not someone you would expect to reflect on Charlie Parker's style and sound. Shepp typically plays in an unpolished, crude style. He appears to choose this for an emotionally direct approach to the music and his improvisation. Pedersen, on the other hand, is the opposite. HIs style is clear and virtuosic and the contrast between these two musicians is positively enlightening!
For the most part, each tune is a straightforward statement of the melody followed by some jamming by this duo. Shepp switches between tenor and soprano, never touching Parker's alto. Shepp wanders in and out of key (as well as tune!), but always with great taste and sense. He never comes near the bop sensibility, but he doesn't have to, this is honest, brilliant stuff. Pedersen is the perfect alter ego for this style. He is immaculately clear, alternating between walking bass lines and overtone chords. The sax plays outside the rhythms while the bass is a real metronome
https://rapidshare.com/files/3086988649/SHEPP_PEDERSON.rar
For the most part, each tune is a straightforward statement of the melody followed by some jamming by this duo. Shepp switches between tenor and soprano, never touching Parker's alto. Shepp wanders in and out of key (as well as tune!), but always with great taste and sense. He never comes near the bop sensibility, but he doesn't have to, this is honest, brilliant stuff. Pedersen is the perfect alter ego for this style. He is immaculately clear, alternating between walking bass lines and overtone chords. The sax plays outside the rhythms while the bass is a real metronome
https://rapidshare.com/files/3086988649/SHEPP_PEDERSON.rar
HAMPTON HAWES
One of pianist Hampton Hawes' better sets, this CD reissue features Hawes during a European tour in a trio with bassist Jimmy Woode and drummer Art Taylor. Hawes both explores his bebop roots and contributes new material that shows that he was aware of McCoy Tyner and the more advanced players of the era. Among the highlights are "Blues Enough," "Sonora," "Blues For Bud" (which is one of five previously unreleased performances included in the 11 tracks) and "Spanish Steps." Recommended. https://rapidshare.com/files/3592557968/Blues_for_Bud.rar
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